In Conversation with Eugene Shimalsky

My recent conversation with Eugene Shimalsky for his podcast ‘Garden.Something.Meeting’ is here. In our free-wheeling discussion we touch on a wide range of topics including our relationship to news media; the war in Ukraine; disinformation narratives; cognitive overload; potlatch*; critical theory; algorithmic polarisation; Nick Land (again!); the development of Neo-reaction; the cult of acceleration; propaganda, war and trauma; fear and the psychology of reality denial.

*I’d like to clarify some of the comments I made about ‘potlatch’ in our discussion. There are two distinct but related meanings of the term. The first is the ceremonial cultural system of the First Nations people of the Pacific Northwest that was prohibited by the colonial authorities between 1885-1951. The second is an avant-garde appropriation of the idea taken from ethnographic literature first articulated by Georges Bataille in The Accursed Share (1949). Bataille used it as an example of a non-utilitarian, ‘general economic’ model of wealth that had, theoretically, a revolutionary, anti-capitalist potential. This idea was taken up by the Lettrist International through their journal of that name. It is through Bataille that the term ‘potlatch’ became associated with violence, excess, transgression and ‘getting wasted’. This is however not a characteristic of traditional potlatch ceremonies, which are very sober and strictly regulated events.

Beau Dick and the Ceremonial Art of Potlatch

I will be giving an online talk about the art of Beau Dick for the The Last Tuesday Society at 7.30 pm on Wednesday 19th January. Tickets are available here.

A hereditary chief and master carver from the Kwakwa̱ka̱ʼwakw (Musgamakw Dzawada’enuxw) First Nation, Beau Dick was one of the most prominent and influential First Nations artists before his untimely passing in March 2017. His powerful sculptures, firmly rooted in the ceremonial culture of his ancestors, bridge the worlds of contemporary art, the potlatch traditions of the First Peoples of the Pacific North West and environmental activism.

Beau Dick and the Raven Transformation Mask Danced at the inaugural potlatch of Chief Alan Hunt, Fort Rupert, September 2016 (Courtesy Grégoire Dupond)

In the talk I will discuss Beau’s work in relation to the gift-giving, title-conferring and theatrical ceremonies that connect several First Nation groups in the Pacific Northwest, the legends behind some of his most powerful works and Beau’s copper-breaking actions against the Canadian government in 2013 and 2014

Duke Skullcracker Talk

Below is a recording I recently gave to the FHI Social Practice Lab at Duke University in Durham, North Carolina on April 16th. Many thanks for Pedro Lasch, director of the lab, for extending the invitation.