BC Time-Slip 1: Flight

[This is the first section of my novelisation of Philip K. Dick’s visit to Vancouver in 1972 written in the style of the author.]

 “Would you like a cold beverage Mr Dick?” the voice asked.

From the depths of his Luminal slumber Phil Dick adjusted his vision to focus on the figure standing before him. She seemed familiar, as people you’ve never met before do in dreams. Early 20’s, about 5” 4’, dark hair tucked neatly inside a cap that matched her grey uniform.

“Erm….yes please. Bourbon on the rocks.”

“Certainly Mr Dick. Your drink will be with you in a moment” the woman beamed before shimmering out of view.

Where am I he thought? In the distance, beneath snow-capped mountains, he saw a glimmering white city of high-rise apartments hovering over a vast river that flowed into to the sea. To his left, where a forest of pines met the water, the sand gradually transformed itself into great boulders. He could hear the sound of waves gently lapping the shore and the cry of distant seagulls. To his right a crow bobbed about on one of the many logs that lay on the empty beach.

The words ‘DRINK READY’ flashed into his field of vision. He instantly recognised the familiar notification ping of Freegle, the giant tele-computing company that now controlled almost all the virtual entertainment and personalised data services on the planet. Forcing his eyes to the very upper left he clocked the tell-tale company logo that confirmed he was inside one of their Virtual World packages.

His hands moved nervously as they reached for the device that covered his face.

Until recently removing the Freegle vid goggles had been as automatic as turning off the ignition of a car. But over the last few months the Freegle logo had been appearing in his dreams, especially the most terrifying ones. Then, instead of returning him to the predicable certainties of waking life, clicking on the icon delivered him to a deeper level of nightmare running parallel to it.

Taking a deep breath he lifted the goggles slowly and looked around.

He was on a flight. The passengers around him were either asleep, wearing their goggles or both. All the window screens were drawn but here and there shafts of daylight broke through beneath them. Slowly it came back to him.

He was on his way to Vancouver to be guest of honour at a major science fiction convention. The invitation had arrived six weeks ago and could not have come at a better time. Life in California Free State was a living hell. His home in Marin County had become a half-way house for runaway teenagers, local drug users, their dealers and male in-laws, thrown out by their wives. Phil had welcomed them into his home with open arms. The make-shift community misfits loved listening to Phil’s crack-pot theories about life, death and politics and he adored their adulation. They spent their hours, days, weeks high on weed and blitzed on speed while Phil Indulged them with his peerless collection of classical music recordings. Maybe they would fill the void left when his fourth wife Nancy walked out with their daughter two years ago. His sort-of girlfriend Donna, a teenage biker chic who he believed could save the world, baled on him at the last minute and he had boarded the plane despairing and alone. By the time he found his seat the barbs he’d downed in the waiting area had begun to take effect.

Breathing a sigh of deep relief he sunk back into the reassuring solidity of the business class seat the organisers had paid for.

Continue reading “BC Time-Slip 1: Flight”

Fiction Machines III (Online Event)

The third Fiction Machines event, organised by The Centre for Media Research at Bath Spa University, will take place this Thursday, July 1st, between 6 and 9 pm. The event is free and you can book your place here.

I will be presenting a proposal for a posthumous novel by Philip K. Dick written by an Artificial Intelligence.

Other speakers at the event will be Ami Clarke, Tony D. Sampson, Maud Craigie, Andy Weir, Distributed Cognition Cooperative (Anna Engelhardt, Sasha Shestakova), Richard Carter, Mikey Georgeson, Ada Hao, Harry Meadows and Charlie Tweed.

BC Time-Slip Cannibal Metaphysics Talk (Pt.2)

This talk was given at Space Studios, Hackney in May 2019 as part of the Morphologies of Invisible Agents exhibition organised by SMRU (Social Morphologies Research Group).

In it I draw out correlations between Philip K. Dick’s VALIS revelations; the significance of the Ichthys symbol; temporal rupture and paranormal communication; insatiable hunger; the rites of the Hamatsa; and inter-species cannibal kinship.

This is the second half of a talk I originally gave during the BC Time-Slip residency at Dynamo Arts Association, Vancouver in August 2016.

The Disintegrating Chronotope of Philip K. Dick (Redux)

I am reposting this transcription of a lecture I gave to MA Fine Art students at Chelsea College of Art and Design in Winter 2008. It will give some context to a forthcoming series of blog posts related to the BC Time-Slip project and to a program of lectures I will be giving for Fine Art and Psychology students at the University of Worcester in the forthcoming academic year. The first of these – ‘Beware the Boa Constructor! Freud, Modern Art and the Riddle of Interpretation’ – is in the pipeline.


 

The Disintegrating Chronotope of Philip K. Dick (1928 – 1982)

Part One

Introduction

‘Artists are replicants who have found the secret of their obsolescence’ – Brian Massumi ‘The Simulacrum According to Deleuze and Guattari’ (1987)

The term replicant here is a reference to Ridley Scott’s Blade Runner (1982), the name he gave to the androids in his film version of Philip K Dick’s novel Do Androids Dream of Electric Sheep (1968). The plot of Dick’s novel revolves around a number of highly ‘evolved’ robots who are seeking to have the date of their in-built obsolescence postponed indefinitely. It is the blade runner’s job to hunt down and prematurely terminate the rebellious androids. Although Blade Runner lacks much of the narrative content and philosophical themes of Dick’s original novel, the film brought Dick the mainstream attention he had sought throughout his 25 years of science fiction writing. Sadly, in characteristically tragi-cosmic fashion, he did not live long enough to enjoy his new found fame.

The broader context for this lecture are the themes of historical and temporal consciousness we have been exploring in relation to the shift from modern to postmodern thought, aesthetics and cultural theory, and in particular the ‘materialist’ conception of history addressed by Benjamin in the ‘Theses on the Philosophy of History’ and throughout Illuminations.

Continue reading “The Disintegrating Chronotope of Philip K. Dick (Redux)”

Jasun Horsley Conversation #3

My third conversation with Jasun Horsley has been uploaded here. In it we discuss getting published, naming the beast, occult bureaucracy, constructed realities, reality break downs, Surrealism, authority figures, Philip K. Dick, critical art, Prisoner of Infinity, Vice of Kings, paranoid critical writing, pareidolia, sexual satanic conspiracy, Braziers Park, the Quakers, mental hospitals, history of therapeutic mental health care, Foucault, Marxist paranoia, the Cultural Marxism meme, Frankfurt School conspiracy theory and the Peterson/Zizek debate.

The Occult Conspiracy of the Unconscious: Discussion with Jasun Horsley

I recently had a most enjoyable conversation with Jasun Horsley, author of Seen and Not Seen: Confessions of a Movie Autist and Vice of Kings: How Socialism, Occultism, and the Sexual Revolution Engineered a Culture of Abuse, on his podcast The Liminalist.

In part one we discuss our travels in Mexico, the Narco-Satanicos cult, tabloid press, sensationalism, The Believers, Maximón, Ah Pook, Baron Samedi, Jesus Malverde, Nagualism, Seen and Not Seen, I Spit on Your Grave, video nasties, sexual repression, Georges Bataille, trauma, transgression, psychoanalysis, false screen memories, deviant cultural imprints and mothers.

In part two we discuss secrecy, shame, Philip K. Dick, uncanny zones of literary encounter, Jonathan Lethem, Erik Davis, sleepers in the matrix, Undead Uprising, academic politics, Foucault, Bataille, Neo-Gnostic conspiracy, Anti-Christian Marxism, accelerated coincidence, affinity, George Hodel, The Black Dahlia, Man Ray, Surrealist S&M, crime, Fred Vermorel’s Dead Fashion Girl, Frankfurt School, Cultural Marxism, Room 237, Fabian Society, Walter Benjamin and cannabis.