In Conversation with Eugene Shimalsky

My recent conversation with Eugene Shimalsky for his podcast ‘Garden.Something.Meeting’ is here. In our free-wheeling discussion we touch on a wide range of topics including our relationship to news media; the war in Ukraine; disinformation narratives; cognitive overload; potlatch*; critical theory; algorithmic polarisation; Nick Land (again!); the development of Neo-reaction; the cult of acceleration; propaganda, war and trauma; fear and the psychology of reality denial.

*I’d like to clarify some of the comments I made about ‘potlatch’ in our discussion. There are two distinct but related meanings of the term. The first is the ceremonial cultural system of the First Nations people of the Pacific Northwest that was prohibited by the colonial authorities between 1885-1951. The second is an avant-garde appropriation of the idea taken from ethnographic literature first articulated by Georges Bataille in The Accursed Share (1949). Bataille used it as an example of a non-utilitarian, ‘general economic’ model of wealth that had, theoretically, a revolutionary, anti-capitalist potential. This idea was taken up by the Lettrist International through their journal of that name. It is through Bataille that the term ‘potlatch’ became associated with violence, excess, transgression and ‘getting wasted’. This is however not a characteristic of traditional potlatch ceremonies, which are very sober and strictly regulated events.

Documentation of VeveXXX at Fylkingen

Below is documenting of the VeveXXX event at Fylkingen Experimental Music and Art Space, Stockholm, Sweden on 1st March 2025. During the performance Roberto N Peyre and I produced a ritual floor drawing dedicated to the deified Greek hero Hyacinth and the revolutionary Haitian leaders who shared that name. The drawing was accompaniment by a new sound piece created by Jean-Louis Huhta (aka Dungeon Acid). This was followed by a performance and by Lisa Janbell & Camilla Sivam (aka Dos Oké) dedicated of the Yoruba deities Ogun and Ossain, with a new sound piece created Sofia Sainio (aka Sofftronic). The video was made by Roberto, who also curated the event. Photographic documentation is by Anna Druvnik, Jean-Louis Huhta and Isa Maxe-Winter.

Drawing Analogies Book Launch and Discussion

We will be launching our book Drawing Analogies: Diagrams in Art, Theory and Practice at The Gallery, Slade School of Fine Art, UCL, Gower Street, London, WC1E 6BT on Thursday May 1st at 18.00.

The launch will be accompanied by invited academics presenting on their research and discussing diagrams with the Diagram Research Group.

The invited academics are:

  • Dr. Winnie Soon, artist & Director of UG Art & Technology (Slade School of Fine Art UCL
  • Duncan Greig, Professor of Genetics (Centre of Life’s Origins and Evolution/CLOE)
  • Martin Holbraad, Professor of Anthropology (UCL Anthropology)

Drawing Analogies is published by Bloomsbury Press as part of the ‘Drawing In’ series as a hardback book and open access publication that can be downloaded here.

There will be refreshments. For information and attendance e-mail David Burrows: d.burrows@ucl.ac.uk

NAFAE Annual Conference 2025

The NAFAE Annual Conference Culture Co-operative: Moments, Spaces, and Alternatives for Art and Cultures of Learning will be taking place in Hull on Friday 25th of April 9:30am-5:00pm at 1-2 Pier Street Kingston upon Hull HU1 1TU.

Please book your free conference ticket as soon as possible so we can provide adequate refreshments and lunch:  https://www.eventbrite.co.uk/e/nafae-annual-conference-tickets-1236278735979?aff=oddtdtcreator

The conference is facilitated by the Feral Art School, Hull’s new, independent art school.

For more Information about NAFAE and membership options go to:  https://www.nafae.org.uk/

This is Not a Diagram: Applying General Semantics to Contemporary Arts Pedagogy

I’m genuinely honoured to be giving my paper ‘This Is Not a Diagram: Applying General Semantics to Contemporary Arts Pedagogy’ at the forthcoming online symposium of the Institute of General Semantics – Communication, Consciousness, and Culture II – on Saturday 19th April. The event is free and open to all but registration is required.

For those not familiar with the discipline of General Semantics, this is the perfect opportunity to learn about it. There is an incredible line up of speakers and it promises to be a very special event.

My panel – ‘Map and Territory’ – will run from 12.30 – 13.45 pm GMT.

Exploring Generative AI in the Arts: Insights from GenAI Lunchtime Sessions

Here is a recording of the talk I gave at the GenAI Lunchtime sessions to colleagues at the University of Worcester in February this year. In it I speak about the use of generative AI tools in the arts, differing definitions of ‘intelligence’ and ‘creativity’ in the arts and tech worlds, and the uneven impact of Generative AI tools on different creative fields. I also give a brief introduction to the ideas of accelerationism and transhumanism, and make a case for aligning studio arts education with creative health. It’s a 30 minute talk.

Conjuring Creativity 2025

The third Conjuring Creativity conference – Inhabiting Esoteric Ecologies – will be taking place at MKII space in Clapton, East London on March 15th and 16th.

The conference focuses on the entangled relationships between magick and the more-than-human, exploring how esoteric, occult and mystical strategies are being utilised within and alongside contemporary art to recognise, repair and re-member our innate relationships,  to our earthly ecologies, spirits, pan-species kin and the unseen companions who inform and inhabit our terrestriality.

There are reduced price tickets for students available via a code which they receive upon mailing conjuringcreativity@gmail.com.

Regular tickets are available here.

VEVE XXX at Fylkingen

I will be making a new ritual floor drawing with my co-creator Roberto N. Peyre at the experimental arts and music venue Fylkingen in Stockholm next Saturday, March 1st. The performance will be accompanied by an immersive 8 channel sound piece by Copenhagen-based electro acoustic composer and sound artist Jean-Louis Huhta (aka Dungeon Acid). We will be joined by Stockholm-based performance duo Dos Oké and Stockholm-based sound artist and DJ Sofia Sainio (aka Sofftronic) for an evening of ceremony, revelry and dancing. You can find out more about the event and buy tickets here.