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Invisible Mirrors

Invisible Mirrors

John Cussans' blog

Tag: Psychotherapy

Posted on July 11, 2025

Playing the Rules: Article on the work of Anna Sebastian

My article on Anna Sebastian’s painting exhibition What We May Also Do is now available for download from the Athenaeum Review website. You can access the full Spring 2025 issue here.

My co-authored book Drawing Analogies: Diagrams in Art, Theory and Practice was published by Bloomsbury in February 2025. You can read the Open Access version here.

Informed by Charles Sanders Peirce’s understanding of a diagram as an analogy of relations, Drawing Analogies draws on its authors’ creative use of diagrams as artists, educators and arts researchers, and on fields of inquiry that bring the arts into alignment with other disciplines, most notably anthropology, critical theory, pedagogy, philosophy, psychology, semiotics and the physical and life sciences.

By taking an artistic approach to diagrams and diagramming, by incorporating diagramming as a method of enquiry within chapters, and by exploring their interdisciplinary and multi-perspectival potentials, Drawing Analogies proposes giving new life to the art of diagramming and widening the arena of artistic practice and creative research.

Cover of Undead Uprising
Now available from Strange Attractor and MIT Press

“Finally an authoritative book on that weird, complex figure of the zombie that delves deep into the dark heart of the matter rather than skating the surface. John Cussans is that rare writer who can bring to bear anthropology, cultural studies, colonial and post-colonial history, philosophy, politics, folk-lore and a love of pulp fiction and film to offer a compelling story about how a marginal superstition from the Caribbean became the defining monster of our times. Prepare for a wild ride that moves elegantly from Hegel and Haiti, via Mesmerism, James Bond, Georges Bataille and Surrealism to Papa Doc Duvalier and Doctor Terror’s House of Horrors, always steadily illuminating a path through a forest of delirious details. A truly marvellous journey.”

Roger Luckhurst, author of Zombies: A Cultural History

“Cussans rejects exceptionalist explanations of Vodou and the zombie to present a nuanced description of those phenomena within the international political, economic and cultural environment in which both the realities and the inventions are situated. This comprehensive work is a must read for anyone wishing to understand more about the destinies of African-based religions in the Americas, and especially concerning the uses and abuses of Haitian cultural phenomena by outside interests.”

LeGrace Benson, author of Arts and Religions of Haiti: How the Sun Illuminates Under Cover of Darkness and President of The Haitian Studies Association.

“No one alive, or – almost certainly – deceased, has thought about zombies more voraciously than John Cussans. While the outcome of this feasting is not pretty, what it has unearthed cannot be laid to rest again. Those who doubt the consistency, deep historical momentum, or global significance of the ‘zombie-complex’ will find all such reservations fundamentally challenged by this troubling book. Subsequent to this meticulous and wide-ranging process of exhumation, it is no longer plausible to deny that an inexterminable anticipation of undead uprising continues to define the horizon of our world.”

Nick Land, author of Thirst for Annihilation: Georges Bataille and Virulent Nihilism.

 

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Articles

  • Revolutionary Spirit Wars in Contemporary Haiti (PDF)
  • Tracking the Zombie Diaspora
  • Voodoo Terror (or the Voodoo-Construct)
  • Correspondence between Legrace Benson and Peter Hallward on the US Role in the Aftermath of the Haitian Earthquake
  • Vodou, Possession and the Revolutionary Unconscious
  • The Disintegrating Chronotope of Philip K. Dick (1928-82)
  • Gwo Bezwan: The Micropolitics of the 2nd Ghetto Biennale
  • The Militarization of Aid as an Act of Religious Violence

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My forthcoming co-authored book Drawing Analogies: Diagrams in Art, Theory and Practice will be published by Bloomsbury in February 2025. You can read the Open Access version here.

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